First Observation Parables and comparisons are like artistic representations in which we have to distinguish between the main assertion of the representation and artistic details. We can illustrate this observation best at the hand of an example. In John 20,11-18 we read: “Mary (of Magdala) stood at the tomb weeping . . . She turned round and saw Jesus standing . . . She thought he was a gardener . . . Jesus said to her: ‘Mary!’ She turned and said to him in Hebrew: ‘Rabboni!’, which means ‘teacher’.”
Artists have depicted the scene in various forms.  | |
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Mary wears a heavily embroidered damask robe and a white cap. Jesus wears a red mantle and holds a spade. We see a castle in the background. | Mary wears a red robe and nothing on her head. Jesus is dressed in a white tunic. He wears a sombrero-style hat. |
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Jesus, wearing a white tunic and red hat, holds a spade. A pruning knife is stuck in his girdle. Mary is dressed in a brown garment and has a veil on her hair. | Mary wears a crimson robe and a white scarf. Her shining black hair falls freely over her shoulders. Jesus is dressed in his funeral sheet. |
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When we compare such artistic representations we are not in the least upset by the lack of agreement between the artists. We know that none of them wanted to present an accurate picture of what Mary of Magdala was wearing or of Jesus’ dress. We instinctively understand the limited scope of the artists. They just want to depict the encounter between Mary and the risen Christ. The details have a purely subsidiary function. The same distinction we should apply to images created by parables and comparisons.
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